Recorded live on June 10, 1966 at a Washington, D.C. concert, this 11-song album (fleshed out to 18 numbers on CD with additional live tracks from elsewhere) was considered miraculous in its own time, and remains so.
Moss' fingering was slowed only slightly from the ravages of time, and his voice had aged beautifully. He gets sympathetic harmonica accompaniment (some of it most impressive, especially on "Pushin' It") from
Jeff Espina and occasional help (seemingly unneeded) from a second guitarist billed only as "J.J." Moss, who was then either 52 or 60 years old, rises to the occasion, turning in some dazzling acoustic guitar work (check out "Comin' Back"), very moving and expressive singing, and overall a performance that one can only guess is uncannily like the kind he would've done 30 years earlier. Included are fresh renditions of "Oh Lawdy Mama" and
Moss' own, unique renditions of "I'm Sitting on Top of the World" and "Key to the Highway" (done as a guitar showcase that would put
Eric Clapton and
Duane Allman to shame, and referred to here as "I've Got to Keep to the Highway"). One of the most impressive, and maybe the best, of all '60s rediscovery records by any '30s blues star; 64 minutes of pure golden blues.