Erin Bode's national recording debut for Maxjazz is an impressive affair. The young singer, who is gifted with a sweet and clear voice, wanted to cover her favorite songs, so here she delves into rock, bluegrass, pop ballads, R&B, and standards from the Great American Songbook, and is backed by a very supportive rhythm section consisting of pianist
Bruce Barth, bassist
Larry Grenadier, and drummer
Montez Coleman. Most of the first five tracks are eye-openers. She confidently opens the CD with a country-flavored original, "Don't Take Your Time," co-written and jointly arranged with Adam Maness, who also plays piano on this track (a bonus CD-Rom video track of a live studio performance of "Don't Take Your Time" is also included).
The Beatles' "Here, There and Everywhere" has been performed in a jazz setting before, but
Bode is one of a just a few jazz singers to record it, and
Barth's imaginative arrangement is a great improvement over the typically overblown charts used elsewhere. She then switches gears to tackle
Bill Monroe's mournful bluegrass ballad "In the Pines," multi-tracking a backing vocal in spots, and adding
Adam Rogers' delicious acoustic slide guitar and
Meg Okura's gritty violin.
Rogers is also on-hand for
Bode's funky take of
Bob Dylan's "Tonight I'll Be Staying Here With You." However, her performance of
Cyndi Lauper's "Time After Time" sticks a little too close to the pop world, especially with the harmony vocals of
Jerry Barnes. Hardcore jazz fans will likely gravitate toward the standards, as that's where she is at her best. Her lightly swinging take of "But Not for Me" features
Grenadier's unusual bassline and the inventive
Steve Nelson on vibes. She captures the essence of
Matt Dennis' sentimental ballad "Junior and Julie," while she displays the skills of an actress in the show tune "I've Never Been in Love Before."
Barth's bluesy piano provides the perfect setting for her playful interpretation of "Gee Baby, Ain't I Good to You." Eclectic as
Erin Bode's taste in music is, her ability to effectively integrate such a diverse range of songs into a single release should be highly commended; she is very deserving of nationwide exposure. ~ Ken Dryden