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(C) 2020 Glossa
Title
Pop.
Time
Pieces de Clavecin - Francesco Geminiani
Pièces de clavecin: No. 1, Prélude. Lentement, H. 200
03:45
Pièces de clavecin: No. 2, Gayment, H. 201
04:10
Pièces de clavecin: No. 3, Vivement, H. 202
02:29
Pièces de clavecin: No. 4, Tendrement, H. 203
05:32
Pièces de clavecin: No. 5, Vivement, H. 204
03:53
Pièces de clavecin: No. 6, Gracieusement, H. 205 - No. 7, Tendrement, H. 206
05:22
Pièces de clavecin: No. 8, Amoureusement, H. 207
05:38
Pièces de clavecin: No. 9, Vivement, H. 208
02:10
Pièces de clavecin: No. 10, Moderement, H. 209
05:31
Pièces de clavecin: No. 11, Tendrement, H. 210
03:50
Pièces de clavecin: No. 12, Vivement, H. 211
02:54
Pièces de clavecin: No. 13, Minuet, H. 212
08:12
Pièces de clavecin: No. 14, Minuet, H. 213
08:21
« While Geminiani’s fame as a violinist and composer remains undimmed‚ his fame as a guitarist is almost forgotten‚ and his reputation as a harpsichordist has rested on his didactic works though‚ as this recording indicates‚ he must have been a very accomplished performer. His lack of interest in opera and melodrama in a country where these were keys to fame and fortune may have led him to emigrate to London in 1714. There he had considerable success in the concert halls. It was his intellectual drive‚ rather than his performing fingers‚ that prompted him to rework some of his Sonatas Op 4 for violin and thoroughbass as the Pièces de Clavecin (1743). The predominant influence is announced in the Frenchlanguage titles and emphasised by the warm sound of Fabio Bonizzoni’s Pascal Taskin instrument of 1788. […] Bonizzoni’s surefingered and stylish performances and superb recording make this a rewarding issue.» (Gramophone)
by Fabio Bonizzoni
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