The Nitecaps had a pretty respectable pedigree for fans of early New York punk -- lead singer and guitarist Jahn Xavier had been a member of
Richard Hell's Voidoids under the name Xcessive, bassist Peter Jordan was a roadie for
the New York Dolls who took over for Arthur Kane in the latter days of the band, and drummer Sammy Brown was in Stumblebunny alongside Jordan. But
the Nitecaps were an updated R&B show band, playing lean, soul-influenced rock & roll with the help of a four-piece horn section (who, as
the Uptown Horns, would go on to a successful career of their own).
The Nitecaps' first album, 1982's
Go to the Line, makes it clear that this was a very good band -- Xavier could sing R&B with the passionate swagger of a New York rock & roller, guitarist
Al Maddy's leads were tight and crisp, and Jordan and Brown were a rhythm section that could groove solid or kick out the jams at will. The horn arrangements give the songs all the punch and dynamics they need, and the production by
Clive Langer and
Alan Winstanley is roomy and powerful. The only problem is that the songs on
Go to the Line aren't especially good; it's unfortunately significant that the most memorable tunes are covers ("Give Me One More Chance" by Wilmer Alexander, Jr. & the Dukes and a closing medley of songs by
the Zombies and
the Easybeats), and that for all the energy and chops on display on this record, most of the songs never quite take off. There are more than a few solid moments on
Go to the Line, but it's unfortunate that a group as talented as
the Nitecaps couldn't have had the good sense to recruit a songwriter as gifted as the bandmembers were. ~ Mark Deming