Intimacy would have been a good name for
Bloc Party's previous album,
A Weekend in the City, which was so vulnerable and confessional that it often felt like barely edited diary entries set to music. The album's take on 21st century life and love was heavy listening in large part because it felt so personal.
Bloc Party's mood is just as dark on
Intimacy, which plays a lot like
A Weekend in the City's mirror twin: it's a breakup album that gives personal situations a political heft. The similarities aren't really that surprising, considering that
Intimacy arrived just a year and a half after
A Weekend in the City and also features production work by
Jacknife Lee (as well as
Silent Alarm producer
Paul Epworth). The album begins with two of
Bloc Party's angriest, most experimental songs, which revisit the beat-heavy territory of
A Weekend in the City's "Prayer" with even more charged results. "Ares" is a modern-day war chant, with seething processed guitar lines fueled by huge pummeling drums, the likes of which haven't been heard since the big beat heyday of
the Chemical Brothers and
the Prodigy. "Mercury" is cleverly astrological, using a straight description of Mercury's retrograde conditions ("This is not the time to start a new love/This is not the time to sign a lease") as a springboard to a self-loathing rant set to wildly spiraling brass and more of those bludgeoning beats.
Bloc Party push the envelope hard on both of these tracks, almost to the point of pretension, but not quite; actually, it's a little anticlimactic when they return to more familiar terrain like "Halo," which could fit in easily among
Silent Alarm's angsty rockers.