On their 2000 release,
the Kronos Quartet has appeared with an album worthy of their name. On
Caravan, the quartet uses songs from the world round, with all of them rearranged as needed to fit a string quartet. There are compositions from Yugoslavia ("Pannonia Boundless"), Portugal ("Cancao Verdes Anos" and "Romance No. 1"), India ("Aaj Ki Raat"), Mexico ("La Muerte Chiquita"), Turkey ("Turceasca"), Romania, Hungary, Iran, Lebanon, and Argentina. There are guest artists left and right on the album: Hindustani tabla great
Zakir Hussain aids on the Bollywood work "Aaj Ki Raat" (Tonight's the Night).
Taraf de Haidouks, a gypsy ensemble, provides extra violins and accordions on "Turceasca" to make the work outright exhilarating. Lebanese nay player
Ali Jihad Racy appears on his composition, as does Iranian kemancheh player
Kayhan Kalhor. The
Kronos Quartet has shown themselves to be quite adept at ethnic musics (though Westernized thoroughly by the time the quartet is through with them) since
Pieces of Africa, and possibly even better than their American based works (see Music of Bill Evans album). That part still continues. They again use stunning virtuosity to make a tango play through smoothly on this album, as tangos almost seem to be a specialty for the group. There is quite a rough spot on the album on
Terry Riley's composition, "Cortejo Funebre en el Monte Diablo." The work sounds like some kind of classicized version of a cross between industrial punk and video game background music -- needless to say, not the greatest work ever done by the group. To end the album, the quartet takes on an interpretation of surf guitar king
Dick Dale's hit "Misirlou," adapting it to their format with surprising efficiency. Overall, the music is for the most part relatively incredible, despite the rough spot on
Riley's composition.
Kronos Quartet are occasionally on-again-off-again, but here, they're almost entirely on. ~ Adam Greenberg