While making
Margerine Eclipse,
Stereolab encountered more than their fair share of hardships and heartbreak. Just before the band started the album's sessions, keyboardist/vocalist
Mary Hansen died at just 36 when the bicycle she was riding was hit by a truck in December 2002. Despite their loss,
Stereolab decided to continue recording at the new studio they were building in the Médoc region of France but had difficulties completing its construction. It's something of a miracle, then, that
Margerine Eclipse not only exists but is some of the most joyful music of
Stereolab's latter-day career. The fizzy "Margerine Rock" sounds like it could've appeared on a volume of Switched On -- and as a matter of fact, the band reinterpreted unused recordings they made for Carlton Television back in 1992 throughout the album. Here and on "Bop Scotch"'s synthy surf-rock, they return to the effortless fun that informed their music prior to
Dots and Loops. "Hillbilly Motobike" is another breezy standout, although it's one of many moments on
Margerine Eclipse where
Hansen's absence is palpable. It's easy to hear where she and
Laetitia Sadier would have traded vocals on the exceptionally beautiful "Cosmic Country Noir," and when
Sadier sings "changes are coming anyway" on "The Man with 100 Cells," there's a bittersweet cast to its revolutionary viewpoint. "Feel and Triple" may be the most overt homage to their fallen friend, but the loss of
Hansen also shadows songs like "...Sudden Stars." As coolly lovely as it was on the
Instant 0 in the Universe EP, its delicate, measured synth and graceful vocal lines are even more poignant thanks to lyrics such as "If you must go, go." Elsewhere,
Stereolab continue
Sound-Dust's trend of streamlining and tweaking sounds they explored previously. "La Demeure," a mix of
Raymond Scott-like synth sparkles and brass set to unpredictable rhythmic and melodic shifts, plays like a microcosm of the worlds they discovered on
Dots and Loops and
Cobra and Phases Group Play Voltage in the Milky Night. The influence of longtime friend and collaborator
Sean O'Hagan surfaces on "Vonal Déclosion"'s twangy guitars and lush strings and on "Dear Marge," where languid guitars and silky vocals threaten to slide off into a blissful haze before the band reprise the surprisingly convincing disco interlude they introduced on
Instant 0 in the Universe's "Mass Riff." Moments like this make
Margerine Eclipse a strong, surprisingly reinvigorated album from a band dedicated to pushing themselves, no matter what the circumstances. ~ Heather Phares