Among
Mendelssohn's considerable chamber music output, the works for cello and piano had a special place for the composer. Although he was not himself a cellist, his brother Paul was an accomplished amateur and
Mendelssohn likely kept him in mind when composing the three larger-scale works. Following in the footsteps of
Beethoven,
Mendelssohn continued to move more toward an equal partnership between the two instruments. By the time he composed the D major Sonata in 1843, a true feeling of cello sonata as opposed to a sonata for piano and cello was achieved. This Orfeo album features cellist
Daniel Müller-Schott and pianist
Jonathan Gilad. Throughout the disc,
Müller-Schott's lean, focused, powerful tone ensures that the cello is indeed the dominant instrument. While this type of penetrating, intense tone may not work well for other composers, it offers
Mendelssohn's works a vivid clarity that others miss.
Müller-Schott's interpretation highlights
Mendelssohn's mercurial, vivacious side while still delivering beautifully connected, almost vocal legato lines. Though
Müller-Schott is certainly dominant,
Gilad's playing is just as focused and transparent; he plays with a light but authoritative touch that ensures no note goes unnoticed. Orfeo's close, present recorded sound quality emphasizes the energy that these two great musicians bring to
Mendelssohn's works.