So here it is,
Neighborhoods, the inevitable reunion album, delivered eight years after
blink-182’s last album, six years after
Tom DeLonge indulged his
U2 worship via
Angels & Airwaves, five years after
Mark Hoppus and
Travis Barker whiled away their time with
+44, and two years after the trio re-formed for a tour, igniting the long fuse that led to this sixth
blink-182 album. Produced by the three
blinkers themselves,
Neighborhoods certainly is a different beast than any of the cheerfully snotty early
blink-182 albums, as the band picks up the gloomy thread left hanging on its eponymous 2003 album, the one that was connected ever so slightly to “Stay Together for the Kids,” the hit from 2001’s
Take Off Your Pants and Jacket that signaled some deeper emotions behind the goofy façade. Very little of that slapstick is retained on
Neighborhoods; it’s been replaced by atmospheric echoes stripped from
Angels & Airwaves, a pretension from
DeLonge that’s given form and a pulse by
Barker and
Hoppus. Although there’s considerably more momentum -- and hooks! -- on
Neighborhoods than either
A&A album, this still gets plenty ponderous, taking so many scenic detours that the three-minute songs often seem twice as long.
Blink-182 are hardly the first band to equate maturity with prog rock, going so far to cop a good chunk of their themes and artistic aesthetic for
Neighborhoods from
Rush’s “Subdivisions,” yet it’s far better to hear
blink-182 grapple with adolescent angst via the perspective of middle age than vainly attempting to re-create their youth. Perhaps
blink could stand to sharpen their words but it’s better that they concentrated on their music, creating a fairly ridiculous yet mildly compelling prog-punk spin on the suburbs here. Guess the hiatus did them some good. [
Neighborhoods was also released in a clean Deluxe Edition.] ~ Stephen Thomas Erlewine