On their second album,
the Salsoul Orchestra enhance the appeal of their string-heavy soul sound by marrying it to a series of tight, hook-laden tunes. The overall feeling of
Nice 'N' Naasty is very ‘up' and the album prominently features a number of high-energy tracks tailored for the dance floor. In fact, the album contains of two of
the Salsoul Orchestra's best-ever uptempo tracks: "It Don't Have To Be Funky" moves forward at a double-time speed thanks to a combination of frenetic drumming and an infectious rhythm guitar riff while "Don't Beat Around The Bush" layers the rhythmic, sexy chant of the title over a huge-sounding, thickly-layered drum beat that sounds like it was lifted from a glam rock record. Another uptempo highlight is "Salsoul 3001," a dance floor stormer that brings "Thus Sprach Zarathustra" into the disco age by marrying its dramatic melody to a frenetic groove anchored by some furious conga drumming.
Nice 'N' Naasty also improves on the group's debut album by downplaying the easy listening excesses that marred that album: even on soft tracks like "Nightcrawler," the musicians add a rhythmic touch that keeps the album's overall groove moving forward. In fact, the only time
Nice 'N' Naasty slides toward easy listening is during the "We've Only Just Begun/Feelings" medley, but even that is saved by a clever arrangement that highlights some some lovely vibes work by Vincent Montana. Overall,
Nice 'N' Naasty's combination of solid tunes and tight performance make it
the Salsoul Orchestra's most consistently entertaining album and a good choice for disco fanatics. ~ Donald A. Guarisco