Given the title of its sixth release, it's fair to wonder if
Mastodon is hinting at 2011's
The Hunter or its back catalog. Many of the tracks on
Once More 'Round the Sun dig into the band's seemingly inexhaustible bag of monstrous riffs and wonderfully fractured motifs. That said, as a collective, they unapologetically explore the more polished and accessible songwriting and performing craft found on
The Hunter. This set marks a fork in the road where
Mastodon evolves once more, to cross over from metal's angular, sludgy power to adrenaline-fueled, hook-laden, hard rock. The album was produced by
Nick Raskulinecz, best known for his work with
Foo Fighters and
Rush. The sound
Mastodon pursues here draws inspiration from the '70s, without remotely being an exercise in nostalgia. There is one notable exception; it's deliberate and obvious: "The High Road" boasts unapologizing
Thin Lizzy worship, albeit ambitiously updated. (Who better?) Its verse/riff structure weds
Lynott's rhythmic sensibility to
Mastodon's dynamic aggression. The anthemic chorus melody and harmonies, and twinned lead guitar roar, were trademarked by
Lizzy's
Brian Robertson and
Scott Gorham long ago. "Chimes at Midnight" is intense, fueled by a mammoth chugging riff. It lets the "drop D" freak flag fly, with a near-shouted vocal, harmonic chorus, and spacy six-string interludes. "The Motherload," with its swaggering guitar heroics, is a wound-out yet nearly hummable prog melody, with a relentless bass and snare attack. "Aunt Lisa," with its knotty guitar intro, contains processed vocals, a series of rising and falling key changes, and
the Coathangers guesting -- cheerleader style -- in a chanted vocal chorus à la
Faith No More's "Be Aggressive!" There are also some substantive guitar pyrotechnics in the extended solos in "Halloween" and "Ember City," which, due to their imagination and focus, add dimension to them as songs. "Diamond in the Witch House" is a sprawling, nearly eight-minute closing jam.
Neurosis'
Scott Kelly and his menacing growl guest as it lumbers, trudges, and lurches ever forward (longtime fans will likely dig this).
Once More 'Round the Sun furthers what
Mastodon began on
The Hunter: expanding their music past metal's rigid borders -- toward an integrative sound that doesn't leave metal out. ~ Thom Jurek