A sleeve that would have been a more emblematic model for
Robin Thicke's seventh album is that of
Robert Goulet's
My Love Forgive Me. If Paula bears any other relation to
Jimi Hendrix's
Band of Gypsys -- the graphic likeness is unmistakable -- it must be far beneath the surface. Like the 1964
Goulet album, Paula deals in remorse and heartache -- ballads that acknowledge fault and plead for mercy. It even has a bossa nova-inspired moment. He's in entertainer mode to such an extent that he sounds not like an agonized singer/songwriter but more like an reinterpreter. The most over-the-top song is "Lock the Door," a piano blues ballad; he howls "At least open the doggie door, throw a friend a juicy bone" as if he's going for yucks rather than expressing how low he feels. The album doesn't strictly cover his separation. Some of the songs could fit on any non-conceptual
Thicke release. ~ Andy Kellman