Radha-Krsna Nama Sankirtana was issued in the mid-'70s by Warner Bros. Forgoing jazz altogether, this set is a series of devotional songs from the Hindu religion that
Alice Coltrane practiced. Three of the tracks here are chants, with
Coltrane backing a vocal chorus on Fender Rhodes electric piano and organ. They are memorable, catchy, and moving given the near ecstatic joy of the singers. The other two tracks here feature
Coltrane's interpretations of Indian songs. On "Ganesha," she plays harp and is accompanied only by Sita Coltrane on tamboura. This is not jazz, but it is engaging, utterly compelling music, particularly notable for
Alice's juxtaposition of space against melody. "Om Nama Sivaya" is the album's closer, and at 19 minutes is over half the album's length. Here is where the great jazz musician shows her face. Playing Wurlitzer organ,
Alice is backed only by John Coltrane Jr. on drums. She improvises against a traditional Indian mode and stretches it until it turns back on itself, breaks, moves into other modalities of harmonic invention, and rebuilds toward another peak. It's driving, with a circular rhythm and a melody that reveals itself briefly at odd junctures; it offers a treasure trove of great soloing. This album was all but ignored upon release. If reviewed at all, it was (usually) met with undeserved chauvinistic male scorn. The music on
Radha-Krsna Nama Sankirtana is wholly original (as are all
Alice Coltrane's works), complete as a document of spiritual devotion and musical acumen. ~ Thom Jurek