It was never a secret that
Greg Dulli was the (relatively) benevolent dictator of
the Afghan Whigs, especially on the group's reunion albums of the 2010s, 2014's
Do to the Beast and 2017's
In Spades, which retained the name and the thematic obsessions of
the Whigs' best work of the '90s but with a decidedly different lineup and musical approach. By the end,
the Afghan Whigs were
Dulli and whoever else he chose to bring along, and presumably tired of the ruse, he's chosen to cut out the middlemen and issued his first solo album, 2020's
Random Desire, which does a better job of fleshing out his musical and thematic tropes than he managed on
Do to the Beast and
In Spades.
Random Desire doesn't rock like prime
Whigs, but the rhythmic patterns and melodic shifts have
Dulli written all over them, and the less aggressive attack suits this set of songs, which, now as always, are a product of his poisonous fascination with romantic/sexual conquest.
Dulli laid down the bulk of the backing tracks by himself, while bringing in guests to fancy them up with horns, strings, pedal steel, and extra guitar; the effect leaves the performances a bit rough around the edges, but in a way that adds more than it takes away. It's also a good complement for
Dulli's voice, which isn't as strong or precise as it once was yet still communicates an urgency that's riveting, though with the passage of time he's lost a bit of his prideful swagger, which is also reflected in the lyrics. Here the
Greg Dulli character is more aware than ever of his flaws, even though he still does nothing to change them, and that self-knowledge gives the music a keen, edgy vibe.
Random Desire doesn't necessarily sound like
the Afghan Whigs in their glory days, but it does a much better job of summoning the emotional energy and musical tension that made
Congregation and
Gentlemen classics, and it's the best music he's made since the end of
the Whigs' first era. ~ Mark Deming