Longtime studio musician
Rayford Griffin steps out on his own with
Rebirth of the Cool. Conceptual conceits aside -- this ain't no
Birth of the Cool --
Griffin has crafted an average smooth jazz album that occasionally features more hardcore jazz improvisation than one might expect on a similar album in the genre. A drummer by trade,
Griffin also takes lead vocal duties, showcasing his pleasant laid-back style on the title track -- a cute history lesson of bop-era aesthetics. Despite an all-star cast of musicians including tenor saxophonist
Branford Marsalis, trumpeter
Michael "Patches" Stewart, and bassist
Stanley Clarke, this is unfortunately fairly tepid stuff -- trite lyrics and synth-heavy production -- that holds few surprises for most jazz fans. This isn't to say it is a total waste of time; on the contrary,
Stewart's extended improvisation on "Lids and Squares" is reminiscent of '70s-era
Donald Byrd, and many of the other tracks evince an improvisational edginess uncommon in most jazz-pop releases. ~ Matt Collar