By 1984, African-American popular music had become extremely high tech. The horn-powered funk bands that were huge in the 1970s were out of style, and young audiences were demanding hip-hop, electro-funk, and urban contemporary -- not horn bands that sounded like
the Ohio Players or
Tower of Power circa 1975. Horn bands were still in vogue only in the home of the go-go explosion: Washington, DC. But these changes in the marketplace didn't hurt
Cameo; both commercially and creatively, 1984's
She's Strange was a winner. Thankfully,
Cameo leader
Larry Blackmon isn't afraid to try different things on this excellent album. The mysterious title song (a major hit) and the sociopolitical "Talking Out the Side of Your Neck" find
Cameo responding to hip-hop's popularity by including a lot of rapping, while "Lé Ve Toi!" is very rock-minded -- it's still funk, but funk laced with lots of rock. "Tribute to Bob Marley" is a reggae gem that salutes the Jamaican legend, and "Hangin' Downtown" is a smooth, jazzy number with a definite quiet storm appeal. When
She's Strange soared up Billboard's R&B albums chart, one had to admire
Cameo's durability. Other bands that had emerged in the 1970s were hurting, but with
She's Strange,
Cameo had no problem maintaining both its freshness and its popularity. ~ Alex Henderson