Nobody ever would've thought the
Foo Fighters were gearing up for a hiatus following the vibrant 2011 LP
Wasting Light, but the group announced just that in 2012. It was a short-lived break, but during that time-off, lead
Foo Dave Grohl filmed an ode to the classic Los Angeles recording studio Sound City, which in turn inspired the group's 2014 album,
Sonic Highways. Constructed as an aural travelog through the great rock & roll cities of America -- a journey that was documented on an accompanying HBO mini-series of the same name --
Sonic Highways picks up the thread left dangling from
Sound City: Real to Reel; it celebrates not the coiled fury of underground rock exploding into the mainstream, the way the '90s-happy
Wasting Light did, but rather the classic rock that unites the U.S. from coast to coast. No matter the cameo here -- and there are plenty of guests, all consciously different from the next, all bending to the needs of their hosts -- the common denominator is the pumping amps, sky-scraping riffs, and sugary melodies that so identify the sound of arena rock at its pre-MTV peak. There are a few unexpected wrinkles, as when
Ben Gibbard comes aboard to give "Subterranean" a canned electronic pulse and
Tony Visconti eases the closing "I Am a River" into a nearly eight-minute epic, but the brief eight-song album just winds up sounding like nothing else but the
Foo Fighters at their biggest, burliest, and loudest. They've become the self-proclaimed torch barriers for real rock, championing the music's history but also blessedly connecting the '70s mainstream and '80s underground so it's all one big nation ruled by six-strings. That the mainstream inevitably edges out the underground on
Sonic Highways is perhaps inevitable -- it is the common rock language, after all -- but even if there's a lingering predictability in the paths the
Foo Fighters follow on
Sonic Highways, they nevertheless know how to make this familiar journey pleasurable. [
Sonic Highways was also released on LP.] ~ Stephen Thomas Erlewine