The Way Ahead was a turning point for
Archie Shepp. For starters, he had looked all over the jazz/improv arena for the proper combination of players -- without a piano. One can speculate that this was because he cut his first teeth with pianist
Cecil Taylor, and that could ruin anybody for life. Recorded in 1969,
The Way Ahead featured
Ron Carter on bass,
Grachan Moncur III's trombone,
Jimmy Owens' trumpet, and drums by either
Beaver Harris or
Roy Haynes, with
Walter Davis, Jr. on piano. The set is a glorious stretch of the old and new, with deep blues, gospel, and plenty of guttersnipe swing in the mix. From the post-bop blues opener "Damn If I Know (The Stroller)," the set takes its
Ellington-Webster cue and goes looking for the other side of
Mingus.
Shepp's solo is brittle, choppy, honky, and glorious against a set of changes gracefully employed by
Moncur and
Owens.
Harris' stuttering, skittering rhythm may keep it anchored in the blues, but holds the line for anything else to happen. Likewise, the modern edge of things evidenced by
Moncur's "Frankenstein" (first recorded with
Jackie McLean's group in 1963) turns up the heat a bit more.
Shepp's take is wholly different, accenting pedal points and microharmonics in the breaks. On "Sophisticated Lady" and "Fiesta,"
Haynes fills the drum chair and cuts his manic swinging time through the arrangements, lending them more of an elegant flair than perhaps they deserve here, though they also dig deeper emotionally than one would expect. ~ Thom Jurek