Most of
Tom Scott's GRP albums of the '80s and '90s have been shallow, formulaic releases offering little evidence of the saxman's improvisatory skills. But most of his earlier recordings of the '70s were appealing jazz/funk/R&B efforts that, although commercial and highly accessible, demonstrated his capabilities as a soloist. If the version of
Scott's
L.A. Express band heard on this album (reissued on CD in 1996) brings to mind
the Crusaders, it's because two of its members, keyboardist
Joe Sample and guitarist
Larry Carlton, were also
Crusaders members. Although the
Express was never in a class with that band, it was a likable unit defined by its cohesiveness, warmth, and spontaneity. As slick as the
Express was, it took risks. It's hard to imagine
Scott providing a funk-drenched version of
John Coltrane's "Dahomey's Dance" as he does here -- or incorporating Middle Eastern influences as he does on "King Cobra" -- on his calculated GRP recordings of the '90s. Solid jazz-funk like "L.A. Expression" and "Nunya" is well worth hearing. And "Spindrift," though congenial and mellow, is far more substantial than the Muzak with which he would later inundate us. ~ Alex Henderson