With
Raymonde taking a break to work on the second
This Mortal Coil album,
Fraser and
Guthrie made up
the Cocteaus for the first full-length follow-up to
Treasure. Rather than trying for a full-band approach,
Fraser and
Guthrie instead created a much more simply beautiful effort, with a relaxed air to it. Rhythms are subtler, with bass and drum machine often totally eschewed in favor of
Guthrie's delicate guitar filigrees and lush, produced textures.
Fraser is, as always, in wonderfully fine voice; her words are quite indecipherable, but the feelings are no less strong for it. "Lazy Calm" starts things perfectly, as deep, heavily-treated guitar strums combine with a heavy flange and guest saxophone from
Dif Juz member
Richard Thomas. Other songs sparkle with a lovely vivaciousness. Far from being stereotypical arty music to sit around and be gloomy to, two pieces especially shine with a gentle energy: "Fluffy Tufts," with its many-layered ringing strings and
Fraser's overdubbed vocals; and the joyful "Little Spacey," with a soft rhythm underlying more sheer electric loveliness.
Guthrie adds heavy reverb and overdubbed lines to create
the Cocteaus' wash on such songs as "Throughout the Dark Months of April and May" and "Feet Like Fins," the latter again featuring
Thomas, this time on tablas. For all the sweet beauty of
Victorialand, things end on a quietly dramatic note, but a dramatic one nonetheless. "The Thinner the Air" starts with treated piano and rather spooky guitar leads -- the mysterious soloing is especially wonderful -- while
Fraser then sings with a slightly haunted feeling, concluding with slightly nervous wails. It's an unexpected but effective touch for this fine record.