The On-U label was renowned for its experimentations, but even so,
Bim Sherman wrong-footed his fans with his
Miracle album. Its exotic hybrid styling, sparse sound, and heavy reliance on acoustic instruments was a step too far for most. However, the wild success of Steve Osbourne's remix of the set's "Solid as a Rock," prompted an entire album of club-fired make-overs,
It Must Be a Dream, reactivating interest in the previously fading star. It also prompted a dramatic re-think by
Sherman, producer
Skip McDonald, and his band Tackhead, who provided accompaniment on
Miracle. The result was the sensational
What Happened, a breathtaking set that was inevitably categorized as "world music," but deserved another label all its own. Eschewing the minimalistic sound of
Miracle,
McDonald and the band wrap the set in instrumentation, then swaddle the sound in gorgeous, luminescent atmospheres. The entire set seems to be draped in veils that create the dreamiest of auras. This is particularly notable on the indeed heavenly "Heaven" and equally beguiling "Earth People," the two numbers that open the set. "Seven Times to Rise and Fall," in contrast, is lavished with the more majestic atmospheres of the New Romantic movement, but here the empire collapsing is the Mughals', not the Hapsburgs'. Tavian Singh's tablas give the entire set an exotic air, but they also provide a sharp edge to otherwise mostly languorous, drifting songs, particularly on upbeat and rhythm driven numbers like "Cool Down the Pressure" and "Guilty." The title track's rhythm, in contrast, pulsates, and features superb, introspective guitar work from
McDonald. But perhaps the most intriguing pieces are the ones where MacDonald mixes American blues into the reggae-goes-bhangra mix. The swampy Delta swept "Truth," for example, is a sublime blend of roots, blues, and a tinge of the East. "Keep on Trying" is the perfect hybrid -- Bombay blues -- while the haunting "Let the Spirit Move You" has a bluesy feel, but defies any easy categorization. Many of these songs are new, some are inspired remakes of older numbers, but each one is a revelation.
Sherman gives some of the best performances of his career across this set, the musicians are equally at their best, and the moods and sounds surrounding them linger long after the album is through. A masterpiece from all involved. ~ Jo-Ann Greene