More than once, someone has incorrectly assumed that bassist
Avishai Cohen and trumpeter
Avishai Cohen are the same person. It is easy to understand why one could make that mistake; in addition to having the same name, both of them are jazz musicians who grew up in Israel and moved to New York City in the '90s (the bassist ended up moving back to Israel). But they're definitely two different people, and the
Avishai Cohen on
Aurora is the bassist, not the trumpeter.
Aurora finds this
Avishai Cohen not only playing acoustic and electric bass, but also playing acoustic piano and electric keyboards and singing. In fact, he does a great deal of singing on this 2008 recording -- which will come as a surprise to those who think of
Cohen as strictly an instrumentalist.
Aurora is by no means an easy album to categorize; at the risk of oversimplifying things, one possible description could be "world jazz meets post-bop meets adult alternative." Jazz is a prominent ingredient on
Aurora, but so are pop/rock and world music -- and
Cohen gets a lot of inspiration from Middle Eastern, North African, and Spanish music. He sings in four different languages -- Hebrew, English, Ladino (the language of Spain's Sephardic Jews), and Spanish -- on an album that is dominated by original material but also contains some traditional Jewish songs. But as unpredictable as this 53-minute CD is,
Aurora has a certain continuity.
Cohen sounds like he knows exactly what he's doing, and he has sympathetic support that includes
Amos Hoffman on oud (a traditional Middle Eastern lute) and
Karen Malka on vocals (although
Cohen is the main vocalist). This album obviously wasn't designed with jazz purists in mind, but listeners who have eclectic tastes will realize that
Aurora is a valuable addition to
Cohen's catalog. ~ Alex Henderson