Counting among its ranks two-thirds of Memphis' premier sleaze rockers
the Oblivians,
the Compulsive Gamblers share much of that band's bar-bred loose swagger and raw energy. However, whereas
the Oblivians eagerly aligned themselves with outfits like
68 Comeback and that group's allegiance to musical forefathers like
Charlie Feathers and
Elvis Presley,
the Compulsive Gamblers play their cards a little lower and reveal a much more pronounced influence by
the Rolling Stones and
the Animals. The result is an album of songs that are exceptionally strong, catchy, and well-played, a very "grown up" album, in fact. Perhaps the shift was inevitable, or perhaps the boys felt a sense of freedom to write more mature, emotionally charged songs since casting aside their
Ramones-esque surname. Whatever the reason,
the Compulsive Gamblers' sophomore release,
Bluff City, is a genuinely moving effort by any standard. Lively and almost cartoonish by its close, "Pepper Spray Boogie" more than lives up to its title, as it storms by in a flurry of
Jerry Lee Lewis-style piano bashing and hyperactive string bends worthy of
Chuck Berry himself. With its howling organs, slinky guitars, and aching vocals, "One Eyed Girl" calls to mind
the Doors (if they'd spent more time brawling in seedy juke joints or listening to
Eric Burdon records). The first half of
Bluff City's raucous, ragged rock could probably pass for a lost
Oblivians record, which is fine, but things really come together for the second half of the album. The back half of the album finds the boys finally being brave enough to strip away their protective layers of fuzz and screamy vocals in favor of cleanly played, truly timeless anthems for the broken-hearted. Easily the most beautiful song ever recorded by anyone who ever called himself an
Oblivian, "I Don't Want to Laugh at You" is a surprisingly sweet love story with clear, beautifully twangy guitars and gorgeous vocals that call to mind someone like
Grant Lee Buffalo or
Roy Orbison at times (minus any sort of pretentiousness such comparisons might imply). "New Romance" is just as stunning, but with the lilting vocals replaced by more straightforward but just as moving whispery sing-speak. "You Don't Want Me" is oozing with the qualities that make a song like "Sway" so great, while "Don't Come Looking for Me Now" abandons the slow-dance balladry of the previous songs in favor of country flair. And "Trouble"? Whoo-wee! It plays like a dark, rainy street -- simply sultry and well worth the price of admission on its own. The album-closer "Don't Haunt Me" sounds like a
Them Wranch outtake, and that's a high compliment. With an appealing mix of dirty
Gibson Bros./
Cheater Slicks-style barroom foot-stompers and lonely, middle-of-the-night tearjerkers,
Bluff City is probably the strongest and most easily approachable
Compulsive Gamblers (or
Oblivians) album, making it both a must-have for fans and the perfect introduction for the uninitiated. Pass the whiskey (and the tissues). ~ Karen E. Graves