Taken from three nights of recording in February of 1975,
Gato Barbieri's
Chapter 4 is a continuation -- albeit in a concert setting -- of the music explored on his first three chapters for Impulse. Finally available on CD this set includes three
Barbieri compositions, including the four-part suite "La China Leonicia" and his ubiquitous "Milonga Triste." The band here includes percussionist
Ray Armando, bassist
Ron Carter, multi-instrumentalist
Howard Johnson (here on tuba, flügelhorn, and bass clarinet), pianist
Eddie Martinez, guitarist
Paul Metzke, and Brazilian drummer
Portinho. The band here is full of warmth as well as fire, and the blowing is full of passion.
Barbieri's bands in the early and mid-'70s were well rehearsed, and deeply in tune with his brand of Latin jazz. The empathy in the rhythm section is utterly uncanny as
Carter,
Martinez, and
Portinho create a shape-shifting backdrop for the frontline players to wind and entwine one another, incorporating formal notions of song into the action. The opening "Milonga Triste" is a case in point as
Gato plays the melody,
Johnson, in his own gift for lyricism, plays contrapuntal fills, and
Metzke trots out elongated fingerpicked figures for
Barbieri to solo off of, never losing the lyric in the process even as the intensity of the tune grows with every chorus. The suite begins as a free blowing exercise where modes are kept hovering about for the frontline players to improvise from until a melody is established and a direction taken that changes continually in the following three parts. The album's closer, "Lluvia Azul," begins as a ballad of dreamy quality and becomes a Latin jazz steamer by the end of the first third of its ten minutes, and becomes a lyrical orgy of harmonic invention and chromatic interplay with burning salsa rhythms fueling the entire thing.
Chapter 4: Alive in New York is one of
Barbieri's finest moments on record. ~ Thom Jurek