Junior Wells' penchant for clowning around sometimes conflicts with his craftsmanship, but he's all business on
Come on in This House, his most unadulterated blues record since his highly acclaimed
Hoodoo Man Blues of more than 30 years vintage. This is what has come to be known as an "unplugged" session -- that is, predominately, although not exclusively, acoustic instrumentation. Producer
John Snyder's concept was threefold: to team
Wells with some of the era's top younger traditional blues guitarists --
Corey Harris,
Alvin Youngblood Hart,
Sonny Landreth,
Bob Margolin, and
John Mooney; to have those musicians, in various combinations, accompany
Wells on a variety of slide guitars; and to concentrate on vintage Chicago and Delta blues from the repertoires of
Rice Miller,
Little Walter,
Tampa Red,
Arthur Crudup, and
Wells himself. The result is a virtual slide-guitar mini-fest and a demonstration of the timeless appeal of classic blues done well.
Wells' vocals are deep and manly; his harp playing is high-pitched, like a child's pleading. A surprising highlight is the only contemporary tune on the disc,
Tracy Chapman's "Give Me One Reason." New Orleans drummer Herman Ernest III, who appears on 11 of the 14 cuts, does a masterful job laying down understated rhythmic grooves. ~ Steve Hoffman