In the '60s,
Roy Haynes had no problem keeping busy as a sideman/accompanist, but the drummer didn't record an abundance of albums as a leader.
Cymbalism, which was recorded in
Rudy Van Gelder's legendary New Jersey studio in 1963, is among the albums that
Haynes provided for Prestige's New Jazz subsidiary. This session finds the drummer leading an acoustic quartet that includes
Frank Strozier on alto sax and flute,
Ronnie Mathews on piano, and
Larry Ridley on bass -- and together, the musicians provide a hard bop/post-bop album that is fairly unpredictable.
Cymbalism gets off to a modal, somewhat
John Coltrane-ish start with
Strozier's "Modette," one of the tunes that features
Strozier on flute instead of alto sax (his main instrument). But a more
Charlie Parker-minded approach prevails on the standard "I'm Getting Sentimental Over You," which isn't surprising because
Bird was among
Strozier's primary influences (as was
Jackie McLean). Meanwhile, the exuberant "Go 'n' Git It!" doesn't sound like either "Modette" or "I'm Getting Sentimental Over You"; this
Mathews number has a funky soul-jazz/boogaloo outlook and wouldn't have been out of place on an organ combo date -- the tune would have been perfect for
Richard "Groove" Holmes,
Jimmy McGriff, or
"Brother" Jack McDuff. And after "Go 'n' Git It!,"
Cymbalism changes moods once again with "La Palomeinding," a melancholy
Strozier piece that finds him on flute once again.
Cymbalism, which Fantasy reissued on CD in 2002 on its Original Jazz Classics imprint, falls short of essential. Nonetheless, it's a pleasing, well-rounded effort that deserves credit for diversity.