34-year old guitarist, composer, and bandleader
Jacob Young hails from Oslo, Norway, making him a natural for
Manfred Eicher's ECM label.
Young was educated at the New School for Jazz and Contemporary Music in New York, where he studied under
Jim Hall and privately with
John Abercrombie.
Young's warm, rounded tone indicates a debt to the former while his wide harmonic palette owes to the latter; but his extended melodic vocabulary, gorgeous phrasing, and notions of group interplay are his own. What is immediately startling about
Evening Falls is its lyricism; it doesn't sound like a guitarist's date.
Young's compositions reflect song, paying careful attention to nuance and dynamic. There is plenty of room for improvisation and group interplay -- with veteran drummer
Jon Christensen, trumpeter
Mathias Eick, bass clarinettist and saxophonist
Vidar Johansen, and bassist
Mats Eilertsen -- around melodic invention. On "Sky,"
Young weaves a spacious frame that engages and centers around his own atmospheric guitaristry. It underscores and accents the trumpet's singing voice and the elegant, restrained use of bass clarinet and tenor as a backing voice, offering shadowy, restrained counterpoint, and harmonic extension. His fills dip, float and point, and his chord voicings are imaginative and painterly, guiding the tune from underneath, stepping out front only when it dictates. As a soloist, his command of technique is basically flawless; he's smooth yet soulful, graceful with just enough edge to make his occasional improvisational angularities poignant. The opener, "Blue," opens with guitar and bass, establishing an elegiac backdrop for the trumpeter and bass clarinet.
Eick is mournful and melancholy; his playing is dimensionally expanded by
Johansen's spare lines slipping out from just underneath to lengthen any given line's impression. The counterpoint between
Young and
Eilertsen that introduces "Falling," the album closer, is breathtaking. Its brevity offers respect towad space and silence even as it unfolds. What this final impression brings home is the empathy in
Young's music. It makes for a beautifully balanced, elegantly performed, and poetically rendered listening experience. ~ Thom Jurek