A creeper that takes way too long to sort itself, rapper/singer
Lateef’s solo debut is as cluttered, diverse, and insider as the man’s résumé, which includes
Latyrx (with
Lyrics Born),
the Maroons or
Lateef & the Chief (with
Chief Xcel), and the
Solesides collective, which evolved into
Quannum Projects. Folks who could have rattled that off themselves will find the twists (“Firewire Interlude” is a loopy bit of glitch-hop) and turns (“Oakland” is a rap-rock cruncher with
Living Colour urgency) less unexpected and even welcoming, which could be
Firewire’s biggest issue if you're looking for a showcase debut. As the album coolly rolls through the land of throwback funk and over the hills of electroclash synths and even indie rock (play “Sara” for a
Phoenix fan and just watch him or her ask for a copy),
Lateef remains the obscured man on the album's cover, hidden by brilliant flashes of light and tasteful design. If it’s by choice, fans won’t mind, as they can’t pick out the sly rhymes and simmering commentary underneath as patented
Lateef, while everyone else can rely on names like
Shadow,
Dan the Automator, and
Del on the track list and trust that
Lateef is worthy of their company, even if it isn't obvious on first listen.