If anyone is entitled to cash in on the renewed renaissance of classic pop (not to mention space-age bachelor pad) music, it's
Liza Minnelli, who not only has a pedigree to match the likes of
Natalie Cole, but has also been at it longer. At 50,
Minnelli no longer has to choose between her heritage and her generation, and the assurance with which she tackles material like
George and
Ira Gershwin's "Embraceable You" and
Irving Berlin's "I Got Lost in His Arms" is striking. But she was equally at home with such rock-era work as "Chances Are" (on which she's accompanied by
Johnny Mathis, who made it a hit) and Leiber & Stoller's "Some Cats Know" (which was bringing down the house on Broadway in Smokey Joe's Cafe at the time of the album's release). If this album does not live up to its title or to
Minnelli's liner notes description ("sentimental, romantic and sometimes foolish" songs sung "hopefully, tenderly, and most of all...gently"), that's only to say that among the many favorable things you could say about the material and
Minnelli's performance of it, "gentle" is not one of them. The singer's intensity is always tempered with warmth, her power checked by careful attention to details of lyric meaning and the nuances of feeling available through her phrasing. But
Liza Minnelli just isn't a gentle singer. Maybe she should have stuck with the title scrawled on the back of the CD booklet: "The Makeout Album." ~ William Ruhlmann