Though singer/songwriter
Amy Ray has flirted with the boundaries of country music via her Americana outings -- Prom from 2005 and 2012's Lung of Love in 2012 -- until now, she's never attempted to engage in it fully.
Goodnight Tender, the
Indigo Girl's sixth solo album, collects 12 songs that delve into a rootsy hybrid that uses country as a solid base, but threads elements of bluegrass, folk, country, gospel, and rock through its songs. She produced all but three tunes here, and co-produced the rest with
Phil Cook. First single "Oyster and Pearl" is a slow, bittersweet, gospel-tinged number that features a tender Wurlitzer organ and the first of several appearances by
Bon Iver's
Justin Vernon on banjo and vocal harmonies. He plays a mean mandolin and sings backup with
Mount Moriah's Heather McEntire on the bluegrass-inspired "The Gig That Matters."
Ray's mandolin, along with Adrian Carter's fiddle and Matt Smith's forceful pedal steel, fuel the Cajun-inspired country rock of "Duane Allman" (a tune that also features a stellar harmony vocal from
Susan Tedeschi).
Ray has always been convincing when it comes to delivering sad love songs. The shuffling "Time Zone," with its weeping pedal steel, the two-stepping honky tonk of "More Pills," and the parlor room waltz "Broken Record" all fit that bill beautifully. The title track with
Kelly Hogan singing harmony, "Let the Spirit" with
Vernon in that role, and closer "When You Come for Me" -- a stirring duet with McEntire -- are all gospel-tinged numbers that address mortality head-on without melancholy or morbidity, but a humble acceptance of a grander mystery. In the hands of a lesser songwriter, an album like this could feel constrained or even cloying, but
Ray is in full command of her own gifts on
Goodnight Tender. Her use of country music as a way of getting these songs across is not only convincing, it's compelling. ~ Thom Jurek