Pairing members of two of the most celebrated indie bands of the 2000s and 2010s,
Hamilton Leithauser and
Rostam's
I Had a Dream That You Were Mine was a collaboration long in the making. The duo initially met in the late 2000s when
Vampire Weekend opened for
the Walkmen, and though
Rostam worked on some of
Leithauser's solo debut,
Black Hours, it's easy to hear why they opted to share the billing this time around.
Rostam brings as much of his aesthetic to these songs as
Leithauser does, and it's possible to hear bits of
Vampire Weekend's precise pop and surprising flourishes as well as
the Walkmen's rousing and rollicking sides on each track. Both are well represented by
I Had a Dream's opening and closing songs, which telegraph their yearning with the twinkling pianos that were a
Walkmen staple: "A 1000 Times" uses them to welcome new love, while "1959" -- which also features
Angel Deradoorian's otherworldly vocals -- uses them to evoke an old one. There's an almost surreal quality to the album's arrangements that adds to its feeling of being surrounded, and transported, by dreams and memories: as it moves from banjos to rolling pianos, "Peaceful Morning" sounds like it begins in the countryside and ends in a bar; similarly, the poignant sketch "The Bride's Dad" boasts a melody that could be a hymn or a drinking song and builds to almost comic grandeur. Both
Vampire Weekend and
the Walkmen were masters of creative nostalgia, and
Leithauser and
Rostam take their flair for reimagining classic sounds with postmodern glee to new levels on
I Had a Dream That You Were Mine. The pair uses hints of
Dylan's
The Basement Tapes,
Harry Nilsson (in hindsight,
the Walkmen's cover of his album
Pussy Cats ended up being a pivotal moment in their career), and doo wop in audacious and inspired ways. The "sha-dooby" backing vocals that pepper "Rough Going" could easily sound corny, yet they're as charming here as the ghostly nod to
the Flamingos' "I Only Have Eyes for You" is on "When the Truth Is...." This juxtaposition of old and new feels much more natural than it did on
Black Hours, and taps into
Leithauser's emotive powers fully. There's something moving about how he repeats "I use the same voice I always have" on "Sick as a Dog," a feeling that's echoed on "In a Black Out," a song
Leithauser originally wrote for
the Walkmen but blossoms on
I Had a Dream's more intimate approach. It would be easy to say that
I Had a Dream That You Were Mine rivals
Rostam and
Leithauser's past work, but it's better to say that it's the beginning of a great partnership. [
I Had a Dream That You Were Mine was also released on LP.] ~ Heather Phares