One of her most pop-oriented albums, but also one of her best and most consistent. Most of the songs feature dramatic, swinging large-band orchestration, with the accent on the brass and strings. Simone didn't write any of the material, turning to popular European songsmiths
Charles Aznavour,
Jacques Brel, and
Anthony Newley, as well as her husband, Andy Stroud, and her guitarist,
Rudy Stevenson, for bluesier fare. There are really fine tunes and interpretations, on which Simone gives an edge to the potentially fey pop songs, taking a sudden (but not uncharacteristic) break for a straight jazz instrumental with "Blues on Purpose." The title track, a jazzy string ballad version of the
Screamin' Jay Hawkins classic, gave
the Beatles the inspiration for the phrasing on the bridge of "Michelle." ~ Richie Unterberger