Yo-Yo Ma's second recording of
Bach's cello suites, released in 1997, isn't that different from his earlier recording. Still, each suite seems a little more distinct from the others, the movements within more cohesive, and
Ma's playing feels more instinctive, relaxed, and organic and even more openly communicative than the earlier recording. He's not exaggerating any of his dynamic, tempo, or phrasing decisions, yet there's a sense that he's letting the music flow naturally through his instrument. The dance movements truly dance, and even the more introspective movements of Suites No. 2 and No. 3 offer some captivation for the casual listener.