The old conventional wisdom on
Neil Young used to be that he alternated between acoustic folk and full-on guitar skronk with every other album but 2010’s
Le Noise -- the French affection in its title a tongue-in-cheek tip of the beret to his producer Daniel Lanois -- melds the two extremes. At its core, it’s a singer/songwriter album, a collection of reflections and ruminations about life and loss in the modern world, war imagery rubbing against battered memories and tattered autobiography, the songs leisurely following their own winding path, but it’s produced loudly, with
Neil supporting himself with only his electric guitar for all but two tracks, where he switches the Les Paul for an acoustic. He’s not in
Crazy Horse mode, spitting out chunky garage rock riffs, but strumming his overdriven electric, with
Lanois tweaking the results, accentuating the ambience in post-production. To say the least, this results in a distinctive album but it plays differently than it reads, sounding not too dissimilar from the Bush-era laments of
Freedom. If
Le Noise isn’t as galvanizing as
Freedom, it’s because it’s created on a considerably smaller scale, its eight songs containing no masterpieces and
Lanois’ moody noir production reining in
Young’s messy signature.
Le Noise winds up as something elusive and intriguing, a minor-key mood piece that's hard to pin down. ~ Stephen Thomas Erlewine