Mighty Baby's music wasn't extremely similar to
the Grateful Dead's, but there are similarities in how their music is presented and received, albeit on a much, much smaller scale than the
Dead's. Much of
Mighty Baby's material was based around loose, semi-improvisational grooves combining numerous styles; their cult of fans, though far less numerous than the
Dead's, exhibits similar ardor for their heroes; and that passion simply doesn't translate to many outside of the cult, who are a bit puzzled as to what the fuss is all about. All of the above applies to this extensive (63-minute) CD of previously unreleased material, recorded in 1970 between their two official LP releases. The first three tracks, in decent fidelity, are taken from a live gig in support of
Love in March 1970, highlighted by the nearly 15-minute instrumental "Now You See It," which fuses their love for
John Coltrane's Indian-influenced jazz with more rock-oriented instrumentation and rhythm. In contrast, the two other songs from that concert, "Stone Unhenged" (another instrumental) and "Sweet Mandarin" (which, like all of the songs on this disc, were not included on their pair of official LPs) are run-of-the-mill country-blues-rock -- the kind of thing you could imagine an obscure local support band to
the Grateful Dead playing in 1970, for instance. The remainder of the CD was cut in the studio soon after the March 1970 concert, and is devoted mostly to the four-part, 40-minute improvised instrumental "Now You Don't." This again draws from both the exotic jazz of
Coltrane's final years and the more straightforward power of psychedelic rock, and fairly impressively, rather in the way -- as much as some
Mighty Baby fans might find the comparison odd or inappropriate --
Soft Machine did on their early-'70s jazz-rock recordings. Closing the set is another cut from those studio sessions, the brief and seemingly incomplete "Winter Passes," which heads off in another direction, its mellow early-'70s-styled rock with
Crosby, Stills & Nash-ish harmonies gliding into an extended, laid-back, instrumental jazzy passage. The extended instrumental pieces far outdistance this CD's vocal numbers in quality, and partly for that reason, on the whole the disc is erratic enough that it can't be considered on a par with the albums
Mighty Baby officially released at the time. But as none of the songs appear on these albums, and those instrumental numbers in particular show sides of the band not fully displayed on those LPs, this should be considered as a vital missing piece to the
Mighty Baby discography by fans of the band, if not quite something that could be considered an actual fully developed, unreleased album. ~ Richie Unterberger