In the stereo era, before digital, there were two great sets of recordings of Mozart's string quartets: the
Quartetto Italiano's for Philips and the
Amadeus Quartet's for Deutsche Grammophon. The Italian quartet's performances were rich and ripe, lush and lovely, sweet and sensual; the Austrian-English quartet's performances, reissued here in 2010, are sensitive but intense, controlled but soulful, intimate but objective. Where the
Quartetto Italiano saw Mozart's music from one point of view, the
Amadeus Quartet took a more nuanced view, showing more sides of the composer, and arguably more depth. Technically, the
Amadeus' players are just as fine as the
Italiano's but naturally quite different; their tone is more pungent, their balances less blended, and their rhythms more buoyant than their counterparts. The
Amadeus set has two distinct advantages over the Italians, however: that set includes the three Divertimentos K. 136-138, and fits on six discs, while the
Italiano's is on eight. Sonically, it's a toss-up; Philips gives the Italiano quartet its trademark opulent stereo sound, while DG gives the
Amadeus players their trademark crystalline stereo sound.