Possibly the most notorious
Albert Ayler release and universally misunderstood (i.e., hated) by fans and critics alike. When
New Grass was released in 1969 it received a hostile outcry of "sell-out." Listening to
New Grass in hindsight; it must be taken into account that even though commercial elements are apparent -- a soul horn section, backup singers, boogaloo drumming from
Bernard "Pretty" Purdie, and electric rock bass --
Ayler's vocals and tenor playing could hardly gain commercial radio exposure at any time. It's likely Impulse prodded
Ayler to move into a more pronounced blues-oriented sound and he went willingly.
Ayler wasn't a stranger to R&B or gutbucket blues; he had started his career playing saxophone with Chicago bluesman
Little Walter in the '50s.
Ayler's screeching tone remains intact on
New Grass, but it's mixed with definite R&B riffs like the obvious honkin' nod to "Slippin and Sliddin" on "New Generation."
Ayler's attempt to explain himself on the opening track with "Message from Albert Ayler," reveals his impending dread over controversy concerning the material. It is a problem many artists face at some point in their careers when trying to move in a different direction, no matter what the reason; they may end up losing a majority of their audience by taking a foreign approach. ~ Al Campbell