It is strange that none of tenor saxophonist
Wilton Felder's solo releases are very significant, for he was an important part of
the Jazz Crusaders' (and later
Crusaders') sound. On his derivative and poppish date,
Felder emulates
Grover Washington, Jr. (but without the sincerity and drive), the electronic background is propelled by a drum machine, and there are many simple rhythmic vamps disguised as "originals." Ironically,
Felder is the least important element to the dance date; the drum machine rules.