Singer/songwriter
Kevin Gordon always had a few toes dipped in the swamp, but he dives into the murky waters on his third official album, and first in four years. The opening "Watching the Sun Go Down," with its thick, reverbed guitar and riff-based creep, could easily be a lost
Creedence Clearwater Revival tune from the
Bayou Country sessions.
Gordon remains in that groove for the majority of this release, keeping the tempos on low boil and the humidity high. Echoes of
Dave Alvin,
Bruce Springsteen,
Lucinda Williams, and
Steve Earle float through these 12 songs, but
Gordon's expressively ragged voice, sparse instrumentation, and picturesque lyrics stamp the album with his mark. There are also threads of
Tom Waits circa
Rain Dogs on "Flowers," with its gospel undertones and story-song words, as well as on "Casino Road"'s austere organ and clattery percussion. "Calhoun" is a slow, sad country waltz that wouldn't be out of place on an
Emmylou Harris album. But
Gordon's harder-rocking instincts surface on a
Chuck Berry-styled cover of
Willie Dixon by way of
Little Walter's "Crazy Mixed Up World" that sounds like a loose one-take studio session. Co-produced with multi-instrumentalist Joe McMahan, who is nearly as much a part of this album's success as
Gordon, the duo churns through almost an hour of music that is stark, honest, and obviously not commercially driven. Although it stays rooted in Americana, the album -- like its black-and-white cover shot -- is darker and more ominous than most of
Gordon's work. It's a tough, uncompromising work and a logical step forward, even if it is unlikely to attract a larger audience outside of his established cult fan base. ~ Hal Horowitz