The sophomore full-length album from New Zealand's
Grayson Gilmour, 2017's superb
Otherness finds him moving further into the emotive, elegantly layered electronic sound he's been exploring since his debut, 2010's
No Constellation. However, where that album showcased his lyrical baroque pop inclinations, full of piano, acoustic guitar, strings, and sundry other instruments,
Otherness reveals his knack for crafting epic, slow-burn, '80s-style anthems that straddle the borders between EDM, indie electronica, and classic singer/songwriter pop. Thankfully, he hasn't completely done away with his organic baroque pop vibe, and cuts like the lushly romantic "Twenty-One Tattoo" and the yearning "Be a Beacon" balance purple-hued synth backdrops with gorgeously attenuated orchestral string parts. Similarly engaging are tracks like the sparkling "Better Life," with its reverb-laden guitar accents, and the downtempo-meets-shoegaze-inflected "Sundowning," with its swirling strings and keyboard washes set unexpectedly against a sophisticated, brushed jazz drum pattern. These are endlessly romantic, deeply felt songs that hinge nicely upon
Gilmour's soft, breathy croon, a sound that brings to mind a mix of
Imogen Heap,
Todd Rundgren, and
Ride lead singer
Mark Gardener. In that sense, fans of similarly inclined bands like
M83 and
James Blake will also find plenty to connect with here. It also doesn't hurt that
Gilmour has a gift for memorable melodic statements, and many of these tracks stick in your ear and beg for repeated spins. Ultimately, with
Otherness,
Gilmour has crafted a sophisticated, artfully rendered album of electronic music that breathes and pulses with a human heart.