While it's true that
Oscar Peterson compilations appeared with regularity form the early '60s on, only a few of them -- as with most recording artists -- have any real merit. This two-disc collection from the Concord Music Group's Telarc label, is one of them. Appearing less than a year before his death, this compilation concentrates on recordings issued from the '50s through the middle of the '80s on
Dizzy Gillespie's Pablo label, and those made for Telarc between 1990 and 2000. Many live dates are included here from both labels, including "Tenderly" with
Herb Ellis and
Ray Brown at the J.A.T.P. concerts in Japan; the trio dates at Zardi's in 1955 ("How High the Moon"), in Copenhagen with
Joe Pass,
Stéphane Grappelli, and
Niels-Henning Ørsted Pedersen in 1979, and
Mickey Roker in 1979 ("Nuages"). There's the beautiful duet reading of
Juan Tizol's "Caravan" with
Gillespie in the studio in 1974, as well as the title track form the
Nigerian Marketplace album but recorded live in Japan in 1982. The biggest complaint is that there isn't anything here actually from that classic album on this set. Disc two begins with the great reunion of the trio at the Blue Note in 1990, from which the historic set was taken with
Bobby Durham on drums: "Honeysuckle Rose," "Kelly's Blues," and "Wheatland" all come from those sets. Other live cuts include "Reunion Blues," with
Benny Green,
Ellis,
Brown, and drummer
Lewis Nash from the Tribute to Oscar Peterson concert in New York, and "Night Time" from Oscar in Paris. There are a few studio numbers here as well including "In a Mellow Tone," with
Brown,
Nash,
Benny Carter,
Clark Terry, and
Lorne Lofsky, and the stellar version of "Tin Tin Deo," with
Roy Hargrove,
Ørsted-Pedersen, and
Ralph Moore was recorded in Canada for release on mid-'90s albums like
The More I See You and Trail of Dreams: A Canadian Suite. With the exception of the aforementioned minor complaint, this is a fine overview of some of
Peterson's most productive years. Included is an excellent liner essay by writer
James Isaacs. ~ Thom Jurek