By the autumn of 1976,
Lars Hollmer's group
Samla Mammas Manna was a fairly big success in its native Sweden, and even had a couple of local hits. For various reasons, the band fragmented, with members forming various solo and small combo projects. However,
Samla's success reached overseas, catching the attention of
Chris Cutler's international (if underground) distribution at Recommended Records in London. With international promotion, the group got back together in early 1977 with a slight name change (
Samla to Zamla) and a new guitarist, Eino Haapala. When they went on tour that summer, they played all improvisations, to the point where at one show a fan cut off their power because they wouldn't play their well-known songs. The band recorded all the improvisations, and took the best ones for the second disc of this set,
För Äldre Nybegynnare ("For Older Beginners").
Cutler was quoted at the time saying that this group was among the finest improvisers in rock, and it shows on this album. They have a wide range, from straight rock grooves to experimental textures. The album was put together in the studio and included conversations and cuckoo clocks as well as material from the tapes. Perhaps because this material was so unconventional, they paired
För Äldre Nybegynnare with a second disc,
Schlagerns Mystik ("The Mystery of Popular Music"), although this album is as unique in their discography as
För Äldre Nybegynnare. (The original LP cover offered a dotted line with scissors so the purchaser could discard the improv album.) Side one of
Schlagerns Mystik is a series of quirky folk songs, sung relatively straightforwardly. Although Zamla always included at least one track with vocals on most of its albums, the vocals were typically shouted, buried in the mix, or sung in falsetto. This time, the lyrics are completely comprehensible (in Swedish), and the arrangements are subdued. Yet they retain all of the tunefulness for which Zamla became famous, and even through the strange elements, the melodies are truly charming. Only the second side of
Schlagerns Mystik contains anything like progressive rock; the long instrumental "The Fate" -- structurally similar to
Pink Floyd's "Echoes" from its album
Meddle -- has a clearly stated theme, a spaced-out improvisational section in the middle, and a return to the theme. The closing moments of "The Fate" contain the same sounds as the beginning of
För Äldre Nybegynnare, tying both records in the album together. [Silence Recordings reissued the album in 2006.] ~ Caleb Deupree