On his first two albums,
Kevin Morby made a name for himself as a singer/songwriter with a finely burnished voice, sensitively wrought lyrics, and a good ear for arrangements. On his third album, and first for Dead Oceans,
Morby worked with producer
Sam Cohen (of
Yellowbirds) to expand his sound a little, while still staying true to the honest approach he'd almost perfected already. The two surround
Morby's trenchant songs with a rich tapestry of sound, adding keyboards, electronic squiggles, mariachi horns, backing vocals, and even singing saws to the mix. The two actually met while playing in a
Band tribute band and the influence certainly comes through in the various forms of Americana they cycle through on the album. The full-to-the-breaking-point arrangements of some of the songs, like "I Have Been to the Mountain" and "Dorothy" (both of which feature some pretty great fuzz bass work by
Cohen), definitely capture the rollicking, almost jolly feel of
the Band at their best. The keen eye given to sound throughout helps the quieter tracks too, with the buzzing keyboards and blown-out guitar tones of the title track giving the hushed ballad an expansive range, which is held down solidly by
Morby's strong vocals. He's the rock-solid center of all the songs, whether they are fully arranged or sparsely decorated. His lyrics don't tell stories as much as they capture moments or explore small feelings, something the elegiac, expansive arrangements really help bring to life. While
Morby's last two records were good (sometimes even great), working with
Cohen turned out to be a very good decision that added an extra dimension to his work. The match of songs and sounds on
Singing Saw delivers on all the promise of his earlier records, while firmly establishing
Morby as one of the best singer/songwriters going. [
Singing Saw was also released on LP.] ~ Tim Sendra