Included here are some of
Sonny Rollins' earliest sessions as a bandleader. These are among the fresh and vibrant baker's dozen of selections on
Sonny Rollins With the Modern Jazz Quartet (1953). The title is a bit misleading though, since
the MJQ -- with
John Lewis (piano),
Milt Jackson (vibes),
Percy Heath (bass), and
Kenny Clarke (drums) -- is only accounted for during the first four sides. There is a playful and energetic tone that ricochets from
Jackson's fluid vibes, landing firmly in
Rollins' musical court. One prime example of this interaction is heard throughout the solos on the opening track, "Stopper." Similarly, "Almost Like Falling in Love" bops, weaves, and swings throughout, with some expressive contributions via
Lewis, effectively linking
Rollins' and
Jackson's solos. "No Moe," which stands as one of the best originals on the disc, also bears their undeniable connection. Another not-to-be-missed reading is the sultry "In a Sentimental Mood." Here,
Rollins spirals mature and ethereal lines against
Jackson's resonant intonation and shimmer. If just for these tunes, Sonny Rollins With the Modern Jazz Quartet is a vital component in any jazz enthusiasts' collection. The rest of the disc is performed by
Rollins and a quartet that also includes the talents of
Kenny Drew (piano),
the MJQ's
Percy Heath (bass), and the main
Jazz Messenger,
Art Blakey (drums). On the original tune "Scoops,"
Blakey's hardball antics provide well-placed sonic interjections, punctuating
Rollins' highly infectious melodic sense. While on the subject of catchy tunes, all ears should be directed to the biblically derived title "Shadrack," which had been a signature piece for
Louis Armstrong. This early incarnation of
the Sonny Rollins Quartet has rarely sounded as cohesive, as they collectively percolate with their definitive execution. Of particular note is the inclusion of
Miles Davis' "I Know." This extension of
Charlie Parker's "Confirmation" features
Davis on piano accompanying
Rollins with solid chord progressions, allowing the burgeoning player to lead his first-ever quartet with
Heath and
Roy Haynes (drums).