As it comes from
Tony Banks, known for his complex and dense keyboard work with
Genesis, the sparse instrumentation on
The Fugitive is quite a surprise. Even the instrumental "Thirty Three's" is given a light touch. Moreover,
The Fugitive is far more rhythmically centered than previous
Banks material and contains very little of the difficult wordplay often associated with the composer. Part of the reason for the change in direction was that
Banks was writing songs to be sung by himself. While it can't be said that
Banks has a great voice, it is certainly an interesting one, and works far better with his music than many of the other more bombastic vocalists he has recorded with as a solo artist. Although not successful as singles, the reggae-like "This Is Love" and the rockier "And the Wheels Keep on Turning" are stronger than most early-'80s pop material. "By You," another highlight of the record, also shows some reggae influences and finds
Banks in an uncharacteristically romantic mood. While some parts of the album, such as the Atari-like rhythm track to "Charm," have not aged well, overall this might be
Banks' most consistent offering.