Brian Wilson is arguably the greatest American composer of popular music in the rock era. As the founder of
the Beach Boys,
Wilson's songwriting captured the arc of innocence and turmoil that played out for those coming of age in the 1960s, quickly moving from the carefree fun of his early songs about cars, surfing, and teenage love to the complex self-inspection and vulnerability exhibited on his 1966 masterpiece
Pet Sounds.
Wilson's drive for experimentation only heightened as his music fell out of mainstream favor, but his art would also be influenced by his mental health struggles. Solo efforts like a self-titled 1988 album and 1995
Van Dyke Parks collaboration
Orange Crate Art showed that
Wilson still had a gift for songwriting, but his legacy remained defined by the "teenage symphonies to God" that he crafted for
the Beach Boys. Along with projects centered around new material,
Wilson returned to his earlier
Beach Boys compositions frequently, embarking on tours where he played mostly selections from SMiLE or
Pet Sounds, and revisiting some of his best-loved tunes in the form of solo piano instrumentals on his spare 2021 album
At My Piano.
Wilson was born in 1942 and raised in Hawthorne, California. He formed
the Beach Boys in 1961 alongside his two younger brothers, cousin
Mike Love, and school friend
Alan Jardine. Serving as the group's primary songwriter,
Wilson combined the rock urgency of
Chuck Berry with the harmonies of
the Four Freshmen before expanding his musical imagination during the late '60s, during which time he experimented with new songwriting structures and production techniques.
Wilson retreated from his dominance of
the Beach Boys after 1967, yielding most of the control to his younger brother
Carl. (He made sporadic contributions to their records, returning only briefly in the 1970s and 2010s, the latter as part of a special 50th anniversary tour and album.)
Following a long period of drug addiction, mental illness, and general isolation,
Wilson issued his first solo album in 1988. Despite the promising lead single "Love and Mercy," commercial success proved elusive; ironically,
the Beach Boys had recorded their own comeback record around the same time and wound up topping the charts with "Kokomo."
Wilson attempted to find his footing with a second solo album, Sweet Insanity, which was rejected outright by Sire and permanently shelved.
The 1990s signaled a creative resurgence and coming to terms with his immense influence. It began with a reunion; he recorded the collaborative album
Orange Crate Art with mid-'60s collaborator
Van Dyke Parks -- it featured
Parks' songwriting and
Wilson's vocals. That same year,
Wilson was the subject of a documentary feature,
I Just Wasn't Made for These Times, for which he also recorded a full soundtrack. Following those releases was 1998's
Imagination, which included several throwbacks to his lush
Beach Boys productions of the 1960s; still, it failed to entice a wide commercial audience.
During his time with
the Beach Boys,
Wilson had often remained at home -- or in the studio -- while the rest of the group set out on tour. Things started to change in the early 2000s, when he began touring as a solo act (often accompanied by a large backing band) and released a pair of live titles: Live at the Roxy Theatre (2000) and Pet Sounds Live (2002). He also prepared a studio album, Gettin' in Over My Head, released in 2004. It was partially overshadowed by
Wilson's next project: preparing the legendary
Beach Boys record SMiLE for its live debut, as well as making new studio recordings of its songs. He debuted the new SMiLE at the Royal Festival Hall in London on February 20, 2004, and recorded it in the studio that April. Both the live and studio versions earned rapturous reviews, prompting
Wilson to launch a full world tour in support of the Grammy-winning album. The seasonal effort
What I Really Want for Christmas followed in October 2005.
Wilson began preparing another thematic work after he was commissioned by London's Southbank Centre to help kick off the venue's 2007 season. The result was
That Lucky Old Sun, a concept album based on the Great American Songbook and including the participation of his SMiLE band as well as
Van Dyke Parks.
That Lucky Old Sun premiered at the Royal Festival Hall in September 2007 and was released as a studio album later that year.
Wilson returned to the studio two years later, this time to put his own stamp on a number of
George Gershwin covers. (At the request of
Gershwin's estate, he also completed two piano compositions that were unfinished by
Gershwin at the time of his death.)
Brian Wilson Reimagines Gershwin was released in August 2010, marking
Wilson's first album for the
Disney-affiliated Pearl label.
Wilson's second project for Pearl,
In the Key of Disney, arrived the following year, and featured 11 classic
Disney songs.
In 2012,
Wilson officially reunited with
the Beach Boys. (All four surviving members of the classic lineup had contributed to a track from
Al Jardine's 2011 album, Postcard from California.) The group toured and recorded during the first half of 2012, and in June of that year released
That's Why God Made the Radio, their first original album with
Wilson in more than 15 years. The album debuted at number three on the Billboard charts and earned positive reviews. After the summer tour, however,
Mike Love returned to touring
the Beach Boys with only himself and
Bruce Johnston as members of the classic lineup, leaving behind
Wilson and
Jardine.
By 2014,
Wilson began recording as a solo act again, with songs that he had initially written for a
Beach Boys album. Instead, he recruited guest stars for the venture, including
She & Him's
Zooey Deschanel and
M. Ward,
Fun.'s
Nate Ruess,
Kacey Musgraves,
Capital Cities'
Sebu Simonian, and former
Beach Boys Al Jardine,
David Marks, and
Blondie Chaplin. (Musicians for the project featured classic session players such as
Jim Keltner,
Kenny Aronoff,
Dean Parks, and
Don Was.) The results appeared on Capitol in April 2015, under the title
No Pier Pressure. The following year marked the 50th anniversary of
the Beach Boys' landmark
Pet Sounds album, and
Wilson embarked on a world tour to commemorate the iconic LP. That summer also saw the release of a new live album and DVD from the
No Pier Pressure tour under the title
Brian Wilson and Friends. As the
Pet Sounds tour spilled into 2017, with dates in Europe and the U.K. during the summer and a North American stint in September,
Wilson also released a compilation that spanned his 30-year solo career. Arriving in late September on Warner,
Playback: The Brian Wilson Anthology included picks from all of his nine solo records alongside two previously unreleased tracks, "Run James Run" and "Some Sweet Day." In mid-2019, he embarked on an extensive U.S. tour alongside
the Zombies -- billed as Something Great from '68 -- during which
Wilson played selections from two
Beach Boys albums:
Friends and
Surf's Up. After a relatively quiet period, a documentary film, Brian Wilson: Long Promised Road, debuted at the Tribeca Film Festival in June 2021, receiving wider distribution that November. That month also brought
At My Piano, a collection of gentle, solo piano renditions of some of
Wilson's most celebrated compositions. ~ William Ruhlmann & John Bush