One of the most important, influential groups in the history of industrial and electronic music,
Cabaret Voltaire combined the absurdity of Dada with the D.I.Y. ethos of the punk movement of the 1970s, then gradually evolved their sound and approach throughout the coming decades, mirroring the developments in electronic dance styles such as electro, acid house, and techno. Originally a free-form experimental unit consisting of
Richard H. Kirk,
Stephen Mallinder, and
Chris Watson, the group signed to post-punk institution Rough Trade in 1978, producing razor-edged avant-pop singles such as 1979's "Nag Nag Nag" and seminal full-lengths like 1981's
Red Mecca. Post-Rough Trade, they adopted a more funk-influenced dance sound for 1984's
Micro-Phonies, embraced house music with 1990's
Groovy, Laidback & Nasty, then explored ambient techno with later efforts like 1993's
International Language. Kirk revived the group's name for live performances during the 2010s, and began issuing fresh material in 2020, from dance releases like
Shadow of Fear to ambient works such as 2021's
BN9Drone.
Cabaret Voltaire formed in Sheffield, England in 1973. Throughout the group's early years, the trio of Kirk,
Mallinder, and
Watson improvised using tape machines and primitive electronics, utilizing
Burroughs-inspired cut-up techniques and playing gigs that were closer to performance art than concerts. Sharing bills with bands like
Joy Division,
CV initially faced hostile audiences, but by the end of the decade, they began to receive acclaim from punk fanzines and a burgeoning cult fan base. Signing with Rough Trade in 1978, the group debuted with Extended Play, then released the full-length
Mix-Up and singles "Nag Nag Nag" and "Silent Command" in 1979, offering a skewed take on garage rock marked by abrasive distortion, snarled vocals, and thudding, metronome-like drum machines slathered in trippy effects. Further Rough Trade releases like
The Voice of America and
Red Mecca alternated punk-influenced chargers with more experimental pieces incorporating tape loops and sampled effects. Some of the group's early experiments were issued by
Throbbing Gristle's Industrial Records under the title
1974-1976.
Watson left
Cabaret Voltaire in 1981, co-founding
the Hafler Trio a year later before working as a BBC sound engineer and releasing several albums of field recordings. 1982 releases such as
2X45 and live album
Hai! explored a fiery industrial-funk hybrid, and after electro visionary
John Robie remixed the single "Yashar" into a club hit, the group pursued a more commercial, discotheque-friendly sound.
The Crackdown, issued by Some Bizarre/Virgin in 1983, was a cleaner-sounding synth pop effort, and the following year's
Micro-Phonies, featuring the charting singles "James Brown" and "Sensoria," was more danceable. After the release of the harder, more experimental
The Covenant, The Sword and the Arm of the Lord (1985),
CV signed to
EMI/Parlophone and released
Code, a 1987 full-length which featured guitar by
Bill Nelson and co-production by
Adrian Sherwood.
The band then traveled to Chicago to record 1990's
Groovy, Laidback & Nasty with
Marshall Jefferson, one of the mavericks in the new house sound blowing up in the British charts. Body and Soul followed in 1991, but it would be the last
CV album to feature
Mallinder's vocals. 1992's
Plasticity (issued by the group's own Plastex imprint, and by Instinct stateside) was much closer to releases by Kirk's techno projects such as
Sweet Exorcist and
Sandoz. Technology: Western Re-Works 1992 included rave-era updates of tracks from the group's back catalog. 1993's
International Language was another sample-heavy set of intelligent techno, and sprawling double-CD (or quadruple-LP)
The Conversation was issued by R&S Records' ambient subdivision Apollo in 1994.
Cabaret Voltaire disbanded, but Kirk remained impossibly prolific, releasing dozens of albums on labels like Warp, Touch, Blast First, and his own Intone. Mallinder relocated to Australia and remained active as a musician and journalist. A handful of compilations surfaced during the early 2000s: the two-volume The Original Sound of Sheffield sets (featuring A-sides, 12" mixes, and album highlights), Conform to Deform '82/'90 (a three-disc box containing B-sides, alternate mixes, and unreleased tracks), and
Methodology '74/'78 (three discs of raw archival material). During the late 2000s and early 2010s, Kirk released a handful of live
CV recordings and oversaw an extensive line of reissues, including the box set
#8385 Collected Works 1983-1985 and the anthology
#7885 Electropunk to Technopop, through Mute. He also performed new material as
Cabaret Voltaire at experimental festivals Berlin Atonal (2014) and Dekmantel (2016).
Chance Versus Causality, a previously unissued 1979 soundtrack, was released in 2019, alongside a reissue of
1974-1976.
In 2020,
Cabaret Voltaire released the studio album
Shadow of Fear, its first with Kirk as its sole member. The album touched on all of the genres that had influenced the group, including dub, post-punk, and house. It was quickly followed in 2021 by the industrial dance EP
Shadow of Funk, as well as two drone albums, Dekadrone and
BN9Drone. Kirk passed away in September of 2021, at the age of 65. ~ John Bush & Paul Simpson