Damon Riddick is the one-man band, producer, and DJ known as self-termed "modern funk" artist
Dâm-Funk. A self-produced musician since his teens, Riddick started background session work in the 1990s and fully bloomed the next decade as a distinct player in noncommercial R&B with
Toeachizown (2009), a quintuple LP for Stones Throw. Although Riddick followed up six years later with the less-solitary triple album Invite the Light (2015), his discography is just as notable for its multitude of solo and collaborative projects with a far-reaching crowd of associates that includes
Steve Arrington,
Snoop Dogg,
Nite Jewel,
Ariel Pink, and
Christine and the Queens. First and foremost a catalyst in funk's postmillennial evolution, Riddick has also indulged in his love for atmospheric soundscapes with a trilogy of Private Life albums credited to Garrett, his middle name. He's also nodded to his deep house influences with releases like 2021's Above the Fray.
Damon Garrett Riddick grew up an only child in Pasadena, California and was infatuated with a range of music throughout his childhood, such as heavy progressive rock, synth pop, and funk. He took to synthesizers above all other instruments and laid down his first homemade tracks during high school. Shortly after graduation, Riddick became a familiar face in Los Angeles recording studios, first with Double Action Theatre, a new jack swing act guided by maverick producer and mentor
Leon Sylvers III (
the Sylvers, Solar Records). For the bulk of the next ten years, Riddick's session gigs were mostly on rap records, including AllFrumTha I's self-titled album,
Master P's I Got the Hook Up, and
MC Eiht's
Tha8t'z Gangsta. The last of those recordings credited Riddick's production and instrumentation to
Dam.funk.
Riddick officially stepped forward as
Dâm-Funk in 2007, when he remixed
Baron Zen's cover of
the Gap Band's "Burn Rubber." This forged an alliance with
Peanut Butter Wolf's Stones Throw label. Within a matter of weeks,
Dâm-Funk was also on the label's compilation for 2KSports, 2K8: BBall Zombie War. In 2008, he released "Burgundy City," a 12" single that affirmed his M.O.: synth-funk, mostly instrumental, that put a contemporary and off-center spin on the work of late-'70s/early-'80s funk and post-disco giants like Junie Morrison (
Ohio Players,
Parliament, solo),
Roger Troutman (
Zapp, solo),
Mtume (the band), and
Prince. Riddick was not afraid to reveal those inspirations, either. As a DJ at his L.A.-area club night, dubbed Funkmosphere, he let the crowds know what he was spinning, proud to go against the common DJ practice of maintaining secrecy. After stockpiling hours of material recorded by himself in his garage studio, Riddick put together
Toeachizown, a five-volume LP series released across 2009 that was slightly whittled down for a two-CD set issued that October. By that point, he had also wooed indie rockers with his remix of
Animal Collective's "Summertime Clothes" and self-released a 7" single as Wavelength. Previously unreleased tracks recorded from 1988 through 1992 were compiled in 2010 for Adolescent Funk, issued on Stones Throw.
Although several years passed before the proper follow-up to his first album, Riddick was productive, with remixes, EPs, and singles -- including a cover of
Donnie and Joe Emerson's "Baby," recorded with
Ariel Pink, and "I Don't Wanna Be a Star!" -- as well as a number of collaborations. Toward the end of 2013 alone, album-length projects with funk legend
Steve Arrington and rap veteran
Snoop Dogg (aka Snoopzilla) were released, respectively, as Higher and
7 Days of Funk. In 2015, he backed
Todd Rundgren, another one of his longtime inspirations, during a spring U.S. tour in support of the album
Global. As the dates were wrapping up that June, an instrumental four-track
Dâm-Funk EP titled STFU was released as a prelude to his second album. Invite the Light, a warm triple-LP, arrived that September with appearances from Junie Morrison,
Leon Sylvers III, and
Jody Watley, as well as
Flea,
Q-Tip, and
Snoop, among other voices. Less than nine months later, the !K7 label issued Riddick's first commercially available mix as part of its extensive DJ-Kicks series.
Dust hadn't yet settled on
DJ-Kicks when Riddick relaunched his Glydezone label with Nite-Funk, a self-titled EP made with
Nite Jewel. That, the Architecture EP, and a 12" collaboration with left-field U.K. pop duo
Ekkah were out before the end of 2016. Riddick's studio sessions across the next couple years counted two Private Life ambient LPs as Garrett (the vinyl editions of which were pressed by the Music from Memory label), the EPs Architecture II and Fresh Air (the latter a meeting with
DJ Spinna), and a 12" pressing of European Nights (previously a CD-R circulated only at gigs). He was also featured on
Christine and the Queens' "Girlfriend" and
Mac Miller's "What's the Use?" The seven-track STFU II followed in 2019 while Riddick continued his global mission as a record-spinning funk envoy. Private Life III appeared at the tail-end of 2020. In 2021, he released Destination: Known/Paradise, containing two tracks averaging 15 minutes each, as well as an EP for Spanish deep house label Saft, Architecture III. Above the Fray, an uplifting album of synth-funk and house, appeared through Riddick's own Glydezone Recordings. ~ Andy Kellman