Most music fans know
John Wesley (aka Wes Dearth) as a captivating, versatile journeyman guitarist, and as the "fifth" member of
Porcupine Tree.
Wesley's extensive road warrior bona fides include work with a wide a range of artists from prog, hard rock, metal, and indie rock bands. He is also a highly original singer, songwriter, and recording artist with a slew of solo albums. His mercurial sound melds melodic prog, hard rock, and expansive lyrical pop.
John Wesley Dearth III was born in Brandon, Florida and began playing guitar at 13, influenced by
Pink Floyd's
David Gilmour,
Rush's
Alex Lifeson, and
Jeff Beck. He earned a college scholarship to study the instrument. He went to school for a couple of years and moonlighted as a guitar tech and teacher; he also played in his own band that toured regionally beginning in 1979. In 1991, he formed the project AutoDrive, which was showcased at the year's Southwestern Music Conference. His guitar and vocal work came to the attention of
Marillion, who asked him to open one of their tours. He played his own set and acted as a guitar tech for the band as well. His relationship with
Marillion was long and fruitful, eventually encompassing over 300 shows.
Wesley's first solo album, Under the Red and White Sky, was issued in 1994 on Racket Records.
Marillion guitarist
Steve Rothery, keyboardist
Mark Kelly, and drummer Ian Mosely all contributed, as did his AutoDrive bandmates,
Mark and Paul Prator. It was followed the next year by The Closing of the Pale Blue Eyes in 1995 -- these two recordings were later reissued in a single package.
Through
Marillion, he met former lead vocalist
Fish and joined his band as his live guitarist.
Porcupine Tree's
Steven Wilson had produced the singer's 1997 album Sunsets on Empires and played guitar on 1999's
Raingods with Zippos. He and
Wesley met and became fast friends. The latter had released
The Emperor Falls in 1998 with most of the same players -- as well as bassists
Sean Malone and David Wehner -- for which
Wilson expressed his admiration. In 2001,
Wesley played studio guitar on
Fish's
Fellini Days and released his own
Chasing Monsters, on which he'd branched out to reflect bigger production values. He also received an email inquiry from
Wilson about adding guitar to the track "Blackest Eyes" on
Porcupine Tree's
In Absentia -- he provided ten examples and
Wilson mixed them all in. He joined
Porcupine Tree in 2002 and remained through 2011's tour for
The Incident, when the band went on hiatus.
Wesley's own recording career resumed in 2005 with Shiver, originally issued on Intact. It proved his most accessible effort to date. The guitarist was dividing his time between working with
Porcupine Tree, running his own studio, and doing session work; his solo career took a back seat. In 2009 he put much of his music online to download for free via his website. He managed to release a pair of live solo acoustic dates but didn't manage to cut a studio album until 2011's The Lilypad Suite, his first engagement with the kind of harder-edged rock (on his records) that melded prog, post-psychedelia, metal, and blues. Concurrent with its release, he was a member of
Wilson's solo band for
Grace for Drowning tour;
Wesley then hit the road himself, and over the next couple of years managed to issue four live and rarities recordings.
He signed to InsideOut Music in 2013 and released
Disconnect the following year. Recorded at the guitarist's RedRoom Recorders studio and co-produced with
Dean Tidey, it also featured a guest performance from
Lifeson on the track "Once a Warrior."
Wesley hit the road again, initially supporting the release but also as a member of prog metal supergroup Flying Colours and
BigElf -- both include drummer
Mike Portnoy.
Wesley managed to get back into the studio in late 2015 and began work on his next solo album. Also tracked at RedRoom Recorders,
A Way You'll Never Be was co-produced and engineered by
Wesley and drummer
Mark Prator, with
Sean Malone on bass. Its title track featured Bulgarian-born vocalist Geri X -- a Tampa resident. The album was released in the fall of 2016 by InsideOut and was followed by a tour. ~ Thom Jurek