Moe Tucker may not have set out to be one of rock music's true trailblazers when she joined
the Velvet Underground in 1965, but she was.
Tucker was one of the first women who was an instrumentalist in a noted rock band -- she wasn't the singer or put out front to be eye candy, but was instead an integral part of the band's lineup as their drummer, and an equal with her bandmates.
Tucker also approached the drums in a way that set her apart from her peers; she played standing up, rather than using a conventional drum kit, and her primal, minimalist sound was one of the many elements that gave
the Velvets a sound like no other band of their time. It was many years after
Tucker left
the Velvet Underground that she entered into a solo career that saw her making music that reflected the same personality as her drumming -- passionate, implacable, and full of heart, whether she was performing low-key interpretations of
the Velvets' great songs (her version of "Heroin" on 1982's Playin' Possum), versions of rock & roll classics (the 1997
GRL-GRUP EP), or scrappy rock tunes about the realities of life as a working-class mom (on 1989's
Life in Exile After Abdication and 1991's I Spent a Week There the Other Night).
Maureen Ann "Moe" Tucker was born on August 26, 1944 in Jackson Heights, Queens, New York.
Tucker grew up in Levittown, New York on Long Island, and soaked up her older brother Jim Tucker's interest in rock & roll.
Moe was especially fond of
Bo Diddley,
the Rolling Stones, classic girl groups, and
Babatunde Olatunji, the Nigerian percussionist whose album
Drums of Passion was an early American success in what would come to be known as world music. In her late teens,
Moe (who had already learned a few chords on the guitar) got a small drum kit, and began playing along with records and the radio for fun. Having dropped out of Ithaca College,
Tucker was working as a keypunch operator for IBM and playing drums to unwind after work when she briefly joined an all-female trio called the Intruders, who broke up after a single gig. In December 1965, Jim Tucker heard from his friend
Sterling Morrison, who was playing guitar in a fledgling rock band called
the Velvet Underground with his friends
Lou Reed and
John Cale.
The Velvet Underground had been playing for tips at New York's Cafe Wha? and had been offered a job opening for a teenage rock band called the Myddle Class when
the VU's drummer,
Angus MacLise, quit the group, declaring he didn't like being confined by a firm time to start and stop playing.
Morrison asked Jim if his sister
Moe might be interested in drumming in his band, and after a brief audition,
Tucker was on board when
the Velvet Underground played their first paying gig on December 11, 1965 at Summit High School in Summit, New Jersey.
By the end of 1965,
the Velvet Underground were playing a steady gig at the Cafe Bizarre in Greenwich Village, when they were seen by underground artist and filmmaker Barbara Rubin. Through Rubin, the group came to the attention of Paul Morrissey, an associate of pop artist
Andy Warhol. When
Warhol was asked to lend his name to a discotheque that was soon to open, Morrissey suggested that
Warhol instead take on management of
the Velvet Underground and present them to the public. With
Warhol acting as the band's mouthpiece and mentor,
the Velvets' provocative blend of raw, noisy music and cutting but poetic lyrics of life in the demi-monde began drawing attention and won the group a record deal. Though they attracted little more than a cult following during their existence,
the Velvets recorded and performed steadily through the rest of the decade, and
Tucker often received notice for her unusual drumming style as well as the novelty of a woman behind the traps. (In September 1967, the Boston Herald Traveler even ran a profile of
Tucker with the headline "She Gave Up Computers to Play Drums in a Band.")
Moe's skills on guitar also came in handy when
Reed was too ill to play an engagement in Chicago in June 1966;
Tucker moved over to bass, opening up
Cale to play guitar and sing lead, with
MacLise briefly returning to the drums.
Tucker played on
the Velvet Underground's first three albums (1967's The Velvet Underground & Nico, 1968's
White Light/White Heat, and 1969's
The Velvet Underground), as well as the sessions that would come to be known as the group's "great lost album" (much of which would later appear on the 1985 collection
V.U.). But when the group went into the studio in April 1970 to begin work on their fourth album,
Tucker was pregnant with her first child, and was unable to perform on the album or take part in the lengthy residency
the Velvets played at Max's Kansas City in New York that was concurrent with the recording sessions. As it happened,
Tucker's maternity leave coincided with
Lou Reed quitting the band in August 1970, shortly after the album
Loaded was completed. While it was widely believed that
Reed's departure spelled the end of
the Velvet Underground, by November 1970
Tucker,
Sterling Morrison, and
Doug Yule (who joined after
John Cale left the band in 1968) had recruited Walter Powers and continued to tour, taking the group to the United Kingdom and the Netherlands for the first time. However, in August 1971,
Morrison left the group to accept a teaching position at the University of Texas, and by the end of that year,
Tucker would also quit
the VU. (Live recordings of
Tucker performing with the post-
Reed Velvet Underground would receive belated release in 2001 on the box set Final V.U., 1971-1973.)
After leaving
the Velvet Underground,
Tucker moved to Phoenix, Arizona, where she married and raised five children. Beyond recording a version of the then-unreleased
VU tune "I'm Sticking with You" with Jonathan Richman in 1974,
Tucker maintained a low profile until 1981, when she returned to music with a solo single, "Around and Around" b/w "Will You Love Me Tomorrow." The single was a preview of
Moe's first solo album. Playin' Possum was a set dominated by covers that
Tucker cut at home, playing all the instruments herself. In the early '80s, she also performed with the short-lived ensemble Paris 1942, which also featured
Alan Bishop and
Sir Richard Bishop of
the Sun City Girls; a collection of their recordings received a belated release in 1997. By 1987,
Tucker had divorced and moved to Douglas, Georgia, where she worked at a distribution center for Walmart. That year, she cut a solo EP, MoeJadKateBarry, in which she was backed by members of
Half Japanese, who became mutual admirers when
Tucker was introduced to their work. The EP was released by 50 Skidillion Watts Records, a label founded by
Jad and David Fair of
Half Japanese and bankrolled by
Penn Jillette, a longtime
VU fan. In 1989, the same label released
Tucker's
Life in Exile After Abdication, a full-length album that included contributions from
Lou Reed,
Daniel Johnston,
Jad Fair, and all four members of
Sonic Youth. That same year,
Tucker set out on a European tour with
Half Japanese, and it proved successful enough that she was able to quit her job and make music full-time. She also guested on
Lou Reed's 1989
New York album and appeared at some of the dates of his subsequent concert tour.
In 1990, the Fondation Cartier in Jouy-En-Josas, France staged a major retrospective of
Andy Warhol's work, and
Lou Reed and
John Cale were invited to perform highlights from their 1987 song cycle
Songs for Drella, written in tribute to their former manager and mentor after his death.
Sterling Morrison and
Moe Tucker were also flown in for the event, and after
Reed and
Cale's performance, they invited
Tucker and
Morrison to the stage to play the
VU classic "Heroin." While the four were completely unrehearsed, those in attendance were stunned by the strength of their performance, and it set in motion a steady buzz that a
Velvet Underground reunion was in the works. Speculation was further fueled when
Reed,
Cale, and
Morrison all appeared on
Tucker's 1991 solo album, I Spent a Week There the Other Night, which also included appearances from
Don Fleming of
Gumball and
Brian Ritchie of
the Violent Femmes. In 1993, rumors became reality and
Reed,
Cale,
Tucker, and
Morrison reunited as
the Velvet Underground for a tour of Europe and the U.K. Tensions among the group's members led to the group splitting again after a few months before they could tour North America or record new material, but the reunion did allow
Tucker to perform for some of the largest audiences of her career, and helped spark new interest in her work. (A live album recorded during
the VU's three-night stand in Paris,
Live MCMXCIII, was in stores before the year was out.) And in 1994,
Tucker joined
Cale and
Morrison for a performance of new scores
Cale had composed for a pair of
Warhol's experimental films of the '60s staged by the Andy Warhol Museum. A recording of the scores,
Eat/Kiss: Music for the Films of Andy Warhol, appeared in 1997.
In 1994,
Tucker dropped another solo effort,
Dogs Under Stress, which included guitar work from
Sterling Morrison.
Morrison also joined
Tucker for an American tour following the album's release, but he soon fell ill and died of non-Hodgkin's lymphoma on August 30, 1995. In 1996,
the Velvet Underground were inducted into the Rock and Roll Hall of Fame, and
Tucker appeared with
Reed and
Cale to accept the award and perform a song they wrote in tribute to
Morrison, "Last Night I Said Goodbye to My Friend." By this time,
Tucker was dabbling in production, supervising sessions for the bands
Shotgun Rationale,
the Workdogs,
Half Japanese, and
Paul K. & the Weathermen.
John Cale also invited
Tucker to perform on his 1996 album, Walking on Locusts, and the band
Magnet recruited
Tucker to play drums on their 1997 debut album,
Don't Be a Penguin. December 1997 saw another release from
Tucker, an EP called
GRL-GRUP, in which she covered classic pop tunes by
the Ronettes,
the Crystals, and
the Teddy Bears.
In 2000, percussionist
Jonathan Kane and fiddle and banjo player
Dave Soldier persuaded
Tucker to perform and record with their group
the Kropotkins, whose music paid homage to the fife and drum bands of the Deep South.
Tucker appeared on the group's 2000 album, 5 Points Crawl.
Tucker also appeared at the Terrastock Music Festival in Seattle, Washington in November 2000; her set was recorded and released on the album Moe Rocks Terrastock in 2002. By this time,
Tucker was in her mid-sixties and began easing up on recording and performing, though in 2017 she joined
John Cale on-stage to perform "I'm Waiting for the Man" for a "Grammy Salute to Music Legends" event; the show was later broadcast on PBS. In 2012, Sundazed Records released a two-CD collection, I Feel So Far Away: Anthology 1974-1998, which skimmed the cream from
Tucker's career as a solo artist. Sundazed's affiliated Modern Harmonic label issued an abridged, single-LP variant edition in 2018,
I'm Sticking with You: An Introduction to Moe Tucker. ~ Mark Deming